Future Of Music

Musicians of the future need to know the reality of the business today and seek the tools of tomorrow that will enable them to participate and prosper in the creative industries and carve out a niche and an audience that can sustain them.  These are the underpinnings of the Music Power Network and what we hope to accomplish by helping to guide musicians, songwriters, managers, producers and business people seeking careers in the music industry.

Music Power Network is a new online information service that I started for independent musicians, songwriters, producers, artist managers, and people starting new music companies.  It is a framework with which you can plan your future in the music industry. MPN provides online lessons, exclusive video interviews and advice, career and business planning tools and thousands of hand-picked resources designed to help you achieve success in the new music industry.

Here is an sampling of some of the in-depth video interviews I did over the past year with industry luminaries including Terry McBride, Derek Sivers, Mike King, Phil Ramone, Kelly Cha and many others leading the way.  More interviews are being collected and added as I seek out the people who are helping to transform the music business and light the way into the future of music.

As a result of publishing The Future of Music, many people have asked me to help them with their careers. MPN is the system that I developed to help people get organized and make money in the new music industry. With MPN you can learn from industry experts, set your goals and realize your vision.

The successful artists and writers of the future will start independent and stay independent. They will create businesses around themselves to suit their ambitions, personality, and style. They will connect directly with their fans and control their own destiny.  MPN can show you how to do it.  Make a 360 degree deal with yourself and find ways to generate revenue from your writing, performing, brand, name, activities, and interests that suit you and what you stand for.

Join MPN and get immediate access to:

• Online music lessons that will help you understand the new music industry.
• Exclusive video interviews with industry experts on the latest strategies.
• Custom business planning tools to help organize and guide your career.
• Thousands of hand picked career and market resources to help you build your team.

Here’s what people are saying:

Terry McBride / Nettwerk CEO – “Dave Kusek has an amazing grasp of where today’s music business resides, where its been and where its going. He has a unique ability with factual analysis to cut through the hype and buzz and give us all a clear picture of what is actually taking place in today’s environment.”

Corey Smith / Artist – “It is safe to say  that the “Future of Music” was very much the catalyst we needed to quantify our intentions instead of it being assumptions and guess work.  I thought hey, this is possible. And that, alone, made a huge difference. It’s amazing what you can do once you realize that something is possible.”

Milan Kovacev / MPN Member – “MPN’s services are remarkably well suited for 21st century independent artists. As a songwriter, producer, artist, and music publisher I wear different hats every day and that requires a clear focus and goal-oriented approach to my music business endeavors. MPN’s online course, video interviews, resources and practical tools for building a business plan helped me move fearlessly and confidently in this new dawn of the music industry.”

Debbie Cavalier/ MPN Member – “MPN is the best resource for independent musicians who want to take their career to the next level. My goal for “Debbie and Friends” is to connect musically with as many families as possible via national tours, while maximizing my catalog’s potential through music publishing, licensing, distribution, merchandise, and music teaching opportunities. MPN has all of the resources I need to help me achieve my goals. It’s exactly what I have been looking for.”

Fernando Grecco / MPN Member - “Music business today is not for beginners. It is an open field where there are lots of opportunities for artists and professionals, but where there are very few right answers. MPN is the best way to go from beginner to pro in this brave new world of possibilities. Designed by Dave Kusek, who foresaw this new scenario more than 5 years ago, in his book about the Future of Music, MPN was key for me to choose and develop the 360 degree label business model for Borandá.  MPN helps turn inspiration into action for serious people who want to thrive in this new reality, regardless if you are a musician or a entrepreneur.”

Debra Latimer / MPN Member – “Terry Mcbride is a genius. He articulated some of the most dynamic and innovative concepts pertaining to the music industry that I have ever heard. This video has opened my mind to new models of thinking about producing and distributing music.  Just a wonderful and insightful video.”

See for yourself how Music Power Network can help you.

Telecom Report (Dec 2008)

New music and new technologies have always propelled the record industry into more lucrative markets. But is that time over? How is the record industry handling illegal MP3 file sharing and what new business models await those who are embracing the reach of the Internet and the marketing power of the mobile phone?

In this final Telecom Report for 2008 we investigate the emergence of a new music industry and talk to artists, new service providers, traditionalists and industry analysts, who agree that the record industry is dying but the music industry is thriving.

Watch the Video from Sony/Ericsson

An article in Portfolio by Kevin Maney describes the current music industry as “This flurry of experiments is painful but probably necessary, like a teenager’s goth phase. The endgame is clear, however. Sometime in the next decade, ‘free music’ will win. Artists will give away recorded music and consider it promotional, just like music videos. All of the revenue in music will be generated in other ways.”

Read the whole thing here.

An article in Portfolio by Kevin Maney describes the current music industry as “This flurry of experiments is painful but probably necessary, like a teenager’s goth phase. The endgame is clear, however. Sometime in the next decade, ‘free music’ will win. Artists will give away recorded music and consider it promotional, just like music videos. All of the revenue in music will be generated in other ways.”

Read the whole thing here.

Great coverage from Rolling Stone.

While up-and-coming bands may find most of their licensing offers in the $2,500 range, established bands can make much more: from $30,000 at the high end for TV shows to $100,000 for movies and $250,000 for commercials. To introduce last year’s Sky Blue Sky, Wilco licensed six of the album’s songs to Volkswagen for ads. And the veteran duo They Might Be Giants, who have been releasing recordings on their own for the last six years, made a deal with Dunkin’ Donuts for around $1 million to create original music for over two dozen spots, according to industry sources.

Perhaps no band has been more aggressive — or creative — with its licensing than OK Go. When the group treadmilled its way to YouTube stardom in 2006 with the no-budget video for “Here It Goes Again,” it was having the kind of careermaking hit that bands dream about, just as the commercial record industry was tanking. So OK Go manager Jamie Kitman sought licensing opportunities for the group — making deals for its music to be used in everything from TV commercials and video games to corporate seminars and cable TV “bumpers” (the music that’s used to come in or out of a program). Kitman estimates that when all the uses are tallied, OK Go will have granted more than 200 licenses and made old-fashioned hit-record money. “The accepted wisdom now is that no one is selling records,” Kitman says. “So how do you keep the wheels on the bus? There’s a person in my office who spends half her time fielding licensing queries.”

Ian Montone, whose Monotone Management handles the White Stripes, Vampire Weekend, the Shins, M.I.A. and the Raconteurs, says his bands no longer make most of their money on CD sales. “A lot of artists are looking toward touring and merchandising sales at shows, because that market is still vibrant if you grow it methodically,” he says. The Shins have licensed songs for use in commercials for McDonald’s and Zune. Still, Montone says the Shins turn down 90 percent of the licensing deals they’re offered. So why McDonald’s? “Why not?” says Montone. “They have kids and want to own houses.”

By comparison, the White Stripes have focused on touring and coming up with creative merch: The band sells limited-edition CD singles on the road, as well as unique posters created for each show. “We do that because it’s something special for the fans, but it’s also a way to make money,” Montone says. “I think you’re going to see artists doing more direct-to-consumer sales.” The Stripes have already been able to reapportion the record-company pie to their advantage: The band owns its masters and strikes distribution deals with the major record companies on an album-by-album basis.

Those kinds of partnering relationships are also being sought by the major record companies, who are offering artists better money if they sign deals that include more than just recording rights. Generally referred to as “360 deals” because they seek to cover every facet of an artist’s career, including publishing, touring, merchandising and licensing, the new deals are a way for record companies to hedge their bets in a declining record market and to recast themselves as music — rather than just recording — companies.

Advertisement

One of the savviest labels is Fueled by Ramen, which boasts Fall Out Boy, Panic at the Disco, Paramore and Cute Is What We Aim For. “A lot of people hear about 360 deals and think it’s a land grab, but when you own the content, there are so many interesting things you can do,” says John Janick, who started the label in 1996 while going to college in Gainesville, Florida.

Unlike conventional labels, Fueled by Ramen, which has a partnership with Atlantic Records, does everything in-house: from building Websites that sell merchandise and recordings to producing the T-shirts it sells at chains like Hot Topic. In fact, Fueled by Ramen uses T-shirts to introduce fans to new music — both Panic at the Disco and Paramore placed tags on shirts with PIN codes that enabled buyers to download advance singles at home. “We’re creating a culture for each artist,” Janick says. “Obviously everyone is still looking for new ways to monetize recordings, but our company is growing into many other areas, and that’s great.”

Read more here.

Great coverage from Rolling Stone.

While up-and-coming bands may find most of their licensing offers in the $2,500 range, established bands can make much more: from $30,000 at the high end for TV shows to $100,000 for movies and $250,000 for commercials. To introduce last year’s Sky Blue Sky, Wilco licensed six of the album’s songs to Volkswagen for ads. And the veteran duo They Might Be Giants, who have been releasing recordings on their own for the last six years, made a deal with Dunkin’ Donuts for around $1 million to create original music for over two dozen spots, according to industry sources.

Perhaps no band has been more aggressive — or creative — with its licensing than OK Go. When the group treadmilled its way to YouTube stardom in 2006 with the no-budget video for “Here It Goes Again,” it was having the kind of careermaking hit that bands dream about, just as the commercial record industry was tanking. So OK Go manager Jamie Kitman sought licensing opportunities for the group — making deals for its music to be used in everything from TV commercials and video games to corporate seminars and cable TV “bumpers” (the music that’s used to come in or out of a program). Kitman estimates that when all the uses are tallied, OK Go will have granted more than 200 licenses and made old-fashioned hit-record money. “The accepted wisdom now is that no one is selling records,” Kitman says. “So how do you keep the wheels on the bus? There’s a person in my office who spends half her time fielding licensing queries.”

Ian Montone, whose Monotone Management handles the White Stripes, Vampire Weekend, the Shins, M.I.A. and the Raconteurs, says his bands no longer make most of their money on CD sales. “A lot of artists are looking toward touring and merchandising sales at shows, because that market is still vibrant if you grow it methodically,” he says. The Shins have licensed songs for use in commercials for McDonald’s and Zune. Still, Montone says the Shins turn down 90 percent of the licensing deals they’re offered. So why McDonald’s? “Why not?” says Montone. “They have kids and want to own houses.”

By comparison, the White Stripes have focused on touring and coming up with creative merch: The band sells limited-edition CD singles on the road, as well as unique posters created for each show. “We do that because it’s something special for the fans, but it’s also a way to make money,” Montone says. “I think you’re going to see artists doing more direct-to-consumer sales.” The Stripes have already been able to reapportion the record-company pie to their advantage: The band owns its masters and strikes distribution deals with the major record companies on an album-by-album basis.

Those kinds of partnering relationships are also being sought by the major record companies, who are offering artists better money if they sign deals that include more than just recording rights. Generally referred to as “360 deals” because they seek to cover every facet of an artist’s career, including publishing, touring, merchandising and licensing, the new deals are a way for record companies to hedge their bets in a declining record market and to recast themselves as music — rather than just recording — companies.

Advertisement

One of the savviest labels is Fueled by Ramen, which boasts Fall Out Boy, Panic at the Disco, Paramore and Cute Is What We Aim For. “A lot of people hear about 360 deals and think it’s a land grab, but when you own the content, there are so many interesting things you can do,” says John Janick, who started the label in 1996 while going to college in Gainesville, Florida.

Unlike conventional labels, Fueled by Ramen, which has a partnership with Atlantic Records, does everything in-house: from building Websites that sell merchandise and recordings to producing the T-shirts it sells at chains like Hot Topic. In fact, Fueled by Ramen uses T-shirts to introduce fans to new music — both Panic at the Disco and Paramore placed tags on shirts with PIN codes that enabled buyers to download advance singles at home. “We’re creating a culture for each artist,” Janick says. “Obviously everyone is still looking for new ways to monetize recordings, but our company is growing into many other areas, and that’s great.”

Read more here.